Content
Digital Railroad in trouble?
Apparently Digital Railroad, another storage
provider of the digital photography market is in
trouble. No surprise again,
because the company never supported a
free-market model for photographers and buyers.
We blogged about that topic many
times, and recently Dan Heller adds to that fundamental
thinking (even though I remain in
disagreement with the artificial classification
of stock photography).
Since its founding, Digital Railroad primarily supported supply-side photographic capabilities, which if not seamlessly connected to the buy-side provides really nothing more than storage space and website make-up for photographers. A nice service, but similar services from Smugmug or Photobucket already exist to do just that. All these technologies fail to solve the most pressing issue for every commercial photographer: sell, sell, sell.
Photographers are not empowered by a storage service or nice looking web pages, they are empowered when they sell. Photography is an expensive job and if it does not yield $70,000 in yearly revenues (based on 2006 PDA numbers), you will not be able to make a living from it. We have yet to find a true marketplace that connects any seller with any buyer, using free-market principles that truly empowers photographers.
Free-markets are more than a fashion statement or a label you suddenly slap on the website. The implications of free-market principles (as listed in this blog) change a company, its execution and its funding strategy to the core. The devil is in the detail.
Digital Railroad’s and Photoshelter’s demise are examples of why investing in technology, without macro-economic impact - no longer works. The 150-year old photography marketplace, with the introduction of digital photography and the internet, has moved from a premium market model (with many walled gardens) to a free-market model.
Akin to Ratatouille (the movie), where a five-star chef, Anton Gusteau, declares that “Anyone Can Cook”, the photography market and its technology providers need to get used to the fact that in this new age, “rats” will take and purchase great photographs ($22B of them).
The irate response to my recent blog about Photoshelter from a Vice President of the American Society of Media Photographers reminded me of the angry cook in Ratatouille that hires Linguini, a clumsy youth hired as a garbage boy, who can still not accept that great taste in food is like the beauty of photography - in the eye of the buyer.
We should embrace all photography that move people to buy, regardless of who shot it and build a real marketplace to facilitate that exchange.
Since its founding, Digital Railroad primarily supported supply-side photographic capabilities, which if not seamlessly connected to the buy-side provides really nothing more than storage space and website make-up for photographers. A nice service, but similar services from Smugmug or Photobucket already exist to do just that. All these technologies fail to solve the most pressing issue for every commercial photographer: sell, sell, sell.
Photographers are not empowered by a storage service or nice looking web pages, they are empowered when they sell. Photography is an expensive job and if it does not yield $70,000 in yearly revenues (based on 2006 PDA numbers), you will not be able to make a living from it. We have yet to find a true marketplace that connects any seller with any buyer, using free-market principles that truly empowers photographers.
Free-markets are more than a fashion statement or a label you suddenly slap on the website. The implications of free-market principles (as listed in this blog) change a company, its execution and its funding strategy to the core. The devil is in the detail.
Digital Railroad’s and Photoshelter’s demise are examples of why investing in technology, without macro-economic impact - no longer works. The 150-year old photography marketplace, with the introduction of digital photography and the internet, has moved from a premium market model (with many walled gardens) to a free-market model.
Akin to Ratatouille (the movie), where a five-star chef, Anton Gusteau, declares that “Anyone Can Cook”, the photography market and its technology providers need to get used to the fact that in this new age, “rats” will take and purchase great photographs ($22B of them).
The irate response to my recent blog about Photoshelter from a Vice President of the American Society of Media Photographers reminded me of the angry cook in Ratatouille that hires Linguini, a clumsy youth hired as a garbage boy, who can still not accept that great taste in food is like the beauty of photography - in the eye of the buyer.
We should embrace all photography that move people to buy, regardless of who shot it and build a real marketplace to facilitate that exchange.
Getty-Images: Q4FY07 Earnings call fog
Thursday - February 14, 2008 Filed in: Photography
| Strategy
The "body" of the Total Addressable Market is $22B / year, ignoring the size of the Long Tail of photography Getty-Images has no penetration in, we will. So, a $13M investment would yield $600M in annual revenues based on 30% market-share (even if we were to cover "the body" only). A darn good business, and best of all, it will help great new photographers get "free" and transparent access to buyers. So good karma too. The walled gardens of the imaging marketplace will be torn down. Call or e-mail me if you want to play.
What's next for Getty-Images?
So, if you've read my blogs on the imaging market
here ....
why would you plunk down $1.5B to acquire an
Image Super Store like Getty-Images (alias
Getty).
Consider this:
1/ Non-agency images are always owned by photographers not by Getty
2/ Getty's assets can vaporize quickly, photographers can switch their assets to a better marketplace instantly
3/ The vast majority of images in the world are not transacted through Getty
4/ Getty qualifies premium photographers not premium images
5/ Getty needs to cannibalize its business model in order to meet the Long Tail market requirements
6/ Getty is diluting focus to higher margin media like film and music, fat chance
7/ Getty has the expensive overhead of an agency, with declining image ASPs
8/ Hundreds of new and competing sites indicate Getty's non-supremacy
There is value in Getty-Images, as an agency or as an image store, but I would not put two diametrically opposing business models on the same P&L. Neither one is worth $1.5B. The imaging Puffer Fish is about to deflate.
Consider this:
1/ Non-agency images are always owned by photographers not by Getty
2/ Getty's assets can vaporize quickly, photographers can switch their assets to a better marketplace instantly
3/ The vast majority of images in the world are not transacted through Getty
4/ Getty qualifies premium photographers not premium images
5/ Getty needs to cannibalize its business model in order to meet the Long Tail market requirements
6/ Getty is diluting focus to higher margin media like film and music, fat chance
7/ Getty has the expensive overhead of an agency, with declining image ASPs
8/ Hundreds of new and competing sites indicate Getty's non-supremacy
There is value in Getty-Images, as an agency or as an image store, but I would not put two diametrically opposing business models on the same P&L. Neither one is worth $1.5B. The imaging Puffer Fish is about to deflate.
Broadcast Media unleashed
Blog readership in the first quarter of this year
jumped 45 percent to 49.5 million people, or
one-sixth of the total U.S. population, according to
a report in Red Herring today. As
potential buyers are looking to learn from
micro-celebrities what to buy and visit the
blogs that gave these micro-celebrities their
status, advertisers have new opportunities to
attach specific marketing messages to specific
content in these blogs. A new Adwords or Vibrant
Media - like opportunity where blog content is
matched with pre-defined and pre-paid
advertising keywords or categories is on the
horizon. Advertising strategies are changing
fast and about to get a big makeover again.
Never before have advertisers been able to
target buyers more precisely. Another reason why
the Internet is becoming such a powerful
distribution channel.
Broadcast Media unleashed
Blog readership in the first quarter of this year
jumped 45 percent to 49.5 million people, or
one-sixth of the total U.S. population, according to
a report in Red Herring today. As
potential buyers are looking to learn from
micro-celebrities what to buy and visit the
blogs that gave these micro-celebrities their
status, advertisers have new opportunities to
attach specific marketing messages to specific
content in these blogs. A new Adwords or Vibrant
Media - like opportunity where blog content is
matched with pre-defined and pre-paid
advertising keywords or categories is on the
horizon. Advertising strategies are changing
fast and about to get a big makeover again.
Never before have advertisers been able to
target buyers more precisely. Another reason why
the Internet is becoming such a powerful
distribution channel.
Seismic changes in Digital Entertainment
Friday - May 06, 2005 Filed in: Media | Consumer
Technology
Getty Images, the self proclaimed market leader in
the $7B stock photography market, recently posted an
impressive $622M in 2004 revenues. Our in-depth
analysis of the market actually shows a 2004 decline
in Royalty Free and Rights Managed images sold
compared to 2003 and Getty making it up by increasing
ASPs significantly and a small increase in editorial
sales. Royalty free images were sold at an ASP of
$210 compared to $150, Rights Managed images moved up
to $585 from $560 in 2003. While the company boasts
an impressive 70M images on file, our analysis shows
Getty Images sold no more than 1.5M images in 2003, a
3.5% market share of 43M images sold each year in the
stock imagery market. Hardly a gorilla, want to know
what are they are really selling?
Our opinion: Agency & distribution model are in conflict, restricting organic growth.
Our opinion: Agency & distribution model are in conflict, restricting organic growth.


